1967-1976. As one of history's greatest fashion designers entered a decade of freedom, neither came out of it in one piece.

There has been no shortage of fashion documentaries and movies rolling off the assembly line in France and America of late, so it’s no surprise that one about Yves Saint Laurent will be hitting shelves in November. Entitled ‘Yves Saint Laurent Tout Terriblement’ (While Terribly), the document was originally screened in 1994. One of the must-watch footage reportedly dates back to 1968 when Coco Chanel named YSL as her successor at her fashion house because his designs were copies of her. To which he replied: “I think also the big difference between me and Mademoiselle Chanel is that I try to bring women a style that allows them to adapt their style to my dresses and allows them to develop their personalities. While a woman who wears Chanel resembles Mademoiselle Chanel.” 　　The rest of the footage was filmed during 1994 at YSL’s various houses and goes behind the scenes of the creative process of his Haute Couture collection.

There has been no shortage of fashion documentaries and movies rolling off the assembly line in France and America of late, so it’s no surprise that one about Yves Saint Laurent will be hitting shelves in November. Entitled ‘Yves Saint Laurent Tout Terriblement’ (While Terribly), the document was originally screened in 1994. One of the must-watch footage reportedly dates back to 1968 when Coco Chanel named YSL as her successor at her fashion house because his designs were copies of her. To which he replied: “I think also the big difference between me and Mademoiselle Chanel is that I try to bring women a style that allows them to adapt their style to my dresses and allows them to develop their personalities. While a woman who wears Chanel resembles Mademoiselle Chanel.” 　　The rest of the footage was filmed during 1994 at YSL’s various houses and goes behind the scenes of the creative process of his Haute Couture collection.

Documentary featurette on the costuming choices in the film.

Documentary featurette on the costuming choices in the film.

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Twenty-something Ana, now living in Buenos Aires, returns to her native city of Paraná. She meets old school mates, old friends, makes new ones, and starts to rethink her life, and perhaps change her future.

Outside, the first sun rays break the dawn. Sixteen years old Catarina can't fall asleep. Inconsequently, in the big city adults are moved by desire... Catarina found she is HIV positive. She wants to drag everyone else along.

'Revolution: The Legacy of the Sixties' is an exploration of the 1960s Western cultural revolution as it ushers in our contemporary society. 'Revolution' explores, partly through interviews with many of its key instigators, the ground breaking cultural and social transformation of the 1960s as we get to the root of what changed during that period, and why. To what extent is our society and culture today a product of those changes? What does the 60s generation feel remains to be done today to complete the revolution, 50 years on?

The Ryries have suffered a loss: the death of a baby just fifty-seven hours after his birth. Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely idiosyncratic ways. But as the family members scatter into private, isolating grief, an unexpected visitor arrives, and they find themselves growing more alert to the hurt, humor, warmth, and burdens of others—to the grief that is part of every human life but that also carries within it the power to draw us together.